Tagged - Album Review

underscores: a warm welcome to the world of “Wallsocket”

Wallsocket’s locals find themselves dissecting the dauntingly resonant transition to adulthood in song after song.

In The Spotlight: “The Land is Inhospitable and So Are We”

Each song masterfully blends the natural acoustic and orchestral elements of the album with Mitski’s poetically devastating lyricism.

“The End” and Cody Fry’s love for orchestral pop

“The End” is an amazing album that wonderfully showcases Cody Fry's talents and his love for french horns. 

Sex, drugs, and Hollywood love with Slayyyter’s “STARFUCKER”

With new style, new money, and new tits, “STARFUCKER” marks the dawning of an age for Slayyyter.

In the Spotlight: Chappell Roan

In a time where pop has become oversaturated and underwhelming, Chappell Roan breathes new life into the genre.

A retrospective, After Hours

It is After Hours’ soloists that really make the EP, with voices from graduates I haven’t heard in years.

100 gecs are not comedians, they’re artists

"Anthony Kiedis sucking on my penis."

In the Spotlight: Paramore’s “This is Why”

“This is Why” carries on the torch left by “After Laughter” and gives listeners much food for thought about the complexities of life.

Joesef’s ‘Permanent Damage’ brings power and passion to a new era of neo-soul

"Permanent Damage” marks a story of Joesef’s growth, taking his post-relationship perspective and sharing it with an audience who understands. 

Tove Lo brings her emotions to the dance floor with ‘Dirt Femme’

For an album considered dance-pop, some of its songs feel more likely to send you crying on the bathroom floor rather than hitting the dance floor.