Archives - Alyssa Koh

From The Archives: the history of Sex & the CT

The first iteration that I could find was from Sept. 13, 2001 — an unfortunate time for the start of such a column — with the title, “Clean feet, dirty thoughts make the man.”

AAAH!BBA has reached its final form: the Hee Bee Bee Gees

The whole spectacle can really only be described as a theater kid fever dream, but it is delightfully campy and well-produced.

TOOP brings the love to Halloween with Pride and Prejudice

Pride & Prejudice is a tried-and-true, fan-favorite romcom, but this staging brought a vivacity and life to its text.

An inside look on the Rochester rap scene with Jonathan Shapiro

The Campus Times had the opportunity to talk to Shapiro on his experience In the rap industry, his passion for music, and his plans for the future.

Folks, Dream Minecraft is really just some guy

There is something to the reminder that faceless content creators are real people, and I don’t know if people have latched onto that as much as they should.

Spilling the populari-tea

I didn’t expect that when coming to college, I’d suddenly find myself amidst a crowd of people that not only wanted to know me, but wanted to know things about me — even the not-so-savory things.

‘Hocus Pocus: the Drag Parody Musical’ promises a spicy, spooky show

The parody is as raunchy as you would expect for a show promoted with the phrase “we spell witches with a capital B."

UR men’s tennis reaches round of 16 at ITA Regional Championships

UR men’s tennis reached the round of 16 at the ITA Northeast Regional Championships at Drew University Saturday, on Oct. 1.

Music and Mogul Money: interviewing UR grad Philip Milman

A recent master’s degree graduate from the Eastman School of Music, Phil Milman ‘21, might now be a familiar face for any fans of famous Twitch streamers.

A Day in the Life: Todd Theatre’s “Fellowship” actor

Written by Sam Chanse, directed by Dominique Rider, and commissioned through alumna Natalie Hurst ‘74 and the New Voice Initiative, the show exhibits the interpersonal conflicts between four women of color as they navigate both a liberally-sensitive workplace and how the differences between them and their colleagues affect their insecurities and treatment of each other.