There’s a certain elegance in the way advertising has woven itself into the fabric of our society. Subtle, seamless, seductive — it doesn’t even knock on your door anymore; it’s already lounging on your couch. From the endless scrolling to the strangers on our screens we mistake for confidants, the game has evolved, and its execution is as flawless as the life it tries to sell you.

But this game, it never stops. It’s in our pockets, on our screens, and even in our conversations — always listening, always watching. So you decide you’ve had enough one day and step outside for some fresh air, but it’s there too: plastered on the buses, flashing on the billboards, staring back at you at the gas pump. 

There’s no escape, just endless voices whispering flaws into your ears. It is an industry that thrives on doubt after all — how else would they sell you their solution if not by first convincing you that you’re the problem? The game doesn’t want you to think, it wants you to feel. And how easy it is to feel less-than, in a world curated to perfection.

What makes all of this so unsettling isn’t just the pervasiveness of advertising, but its audacity. It doesn’t stop at products — it sells you an identity. The faces on your screen aren’t just endorsing a brand, they’re selling you a vision of who you could be.

Despite all of the game’s attempts, you’d like to think you’re above it all, wouldn’t you? After all, you’ve read the articles and watched the exposés. You know how to spot each #ad and brand partnership. You know how subtle these tricks are meant to be and the precise effect they’re designed to have on your mind. And yet, the game wins, not because you’re uninformed, but because you’re human. The game plays into your desires, your fears, and most importantly, your need to belong.

The solution to the sponsored suffocation you’re feeling right now isn’t to try to escape the advertising altogether (spoiler: you can’t). It’s instead to learn to see the game for what it is: a mirror reflecting the world’s obsession with perfection. Maybe the antidote isn’t radical rejection but selective participation. 

Because rejecting advertising outright isn’t practical, nor is it the point. Instead, your power lies in your ability to lean in only when it aligns with your values and walk away when it doesn’t. This selective participation isn’t just a rebellion against consumerism; it’s a reclamation of your narrative. In doing so, you’re no longer a passive participant consuming this content against your will but instead, you now play the game with a quiet smirk — aware, unimpressed, and entirely on your own terms.

Now, let me get off my high horse, pull you aside, and tell you that I’m no less vulnerable to this game than you are. I know it’s easier said than done. Distancing yourself from the game’s pressure is hard when the entire world is telling you who to be. 

So then how do we achieve this in a meaningful way? Start by giving yourself permission to question the narrative. When you see an ad, ask yourself: Does this truly matter to me, or is it just filling a void that the world told me exists? Surround yourself with people and content that don’t thrive on materialism, but instead on authenticity. 

For me, it’s been about finding joy in experiences rather than things. Spending time with real people whose presence I genuinely enjoy is a reminder that I’m more than a consumer. They ground me in what’s real, not what’s for sale.

In a world saturated with soft-focus filters and curated perfection, perhaps the smartest thing you could do is reclaim your agency. See through the gloss. Choose wisely. And most importantly, do not mistake the noise for truth. Because while society may be pure advertising, not everything for sale is worth buying.



Mirar’s debut “Ascension” brings a metal with a different sort of appeal to the mainstream

While it’s unlikely Mirar will become metal’s new flagship band — they are still a bit too subversive to attract any truly mainstream appeal — the crossover elements at play here serve to make them a band worth watching.


The ‘wanted’ posters at the University of Rochester are unambiguously antisemitic. Here’s why.

As an educator who is deeply committed to fostering an open, inclusive environment and is alarmed by the steep rise in antisemitic crimes across this country and university campuses, I feel obligated to explain why this poster campaign is clearly an expression of antisemitism